A chance to join me in August at The Knitting Hotel and an exclusive offer from Read Loop, France

I know that’s an even longer title than my January post. And despite my plans to work less in favour of more making, nurturing and nesting, I’m currently busier than I’ve been for ages. Am I my own worst enemy? Of course I am! 

This past week has been particularly ‘screen heavy’ so I thought I’d drop in with a quick blog update before I shut down my Mac for the weekend and finally get down to some sewing and gardening. 

In my last post I introduced you to Hidden Star, my design contribution to Laine’s 52 Weeks of Accessories. This pattern celebrates my love of beaded knitting, and features a technique I call ‘beaded colourwork’ where beads are threaded in colour sequence, onto the yarn before casting on which creates a specific motif when they’re knitted in.  

In Hidden Star the blocks of different coloured beads draw the eyes to a dart-like shape on the back of each hand, and these mirrored darts reveal a star-like motif when both hands are placed together. The instructions offer a choice of either full mittens or fingerless mitts and another interesting feature of this design is the yarn.  I chose to use two close tones of John Arbon Exmoor 4ply Sock held together. This produces the most beautiful and gently coloured marl effect to show off the beads. Being me, I mixed orange (Quick Beam) and red (Peggles) for the top section and dark turquoise (Plashes) and navy (Whortleberries) for the bottom section, with an acid green (Oddmedod) stripe cutting across the centre of the mitt to give the eye a lift. But of course you can knit the design in your favourite colours with beads that either tone in or stand out. Don’t want to knit with two ends of 4ply held together? Knit it in a single end of DK instead. The choice really is yours. 

So why am I telling you all this? Because this August 1st – 5th  I’ll be at The Knitting Hotel in Dawlish, teaching a Beaded Colourwork workshop and Hidden Star is the pattern we’ll be exploring. You’ll learn all the techniques needed to knit your own pair of blingtastic mitts / mittens while enjoying the hospitality of The Knitting Hotel’s fabulous host, Belinda Harris-Reid (pictured above in one of her amazing rooms). The knitting inspired style of the venue combined with its stunning location on the Devon coast and a weekend of great food plus joyful learning in the best company make this the perfect opportunity to treat yourself. This retreat has been fully booked for some time, but this week I found out there’s just one place left that comes with a single occupancy room.

If you’re interested email katherine@theknittinghotel.co.uk. But you’d better be quick! Hope to see you in August. 

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Me in my beloved Read Loop specs and my Pearls Please fingerless mitts pattern

Ok, here’s the offer from French brand Read Loop, mentioned at the top of the post. If, like me, you’re a postmenopausal woman of a certain age, you’ll be familiar with the panicked scramble for reading glasses whenever you encounter any text smaller than 18pt. In my younger days I simply couldn’t understand why older people pulled their glasses down their nose or held the unreadable item at arms length in an effort to make sense of it. Well, I hit my mid 40s and boy, did I find out. 

That’s when I entered the realm of the ‘ready reader’ and started wearing reading glasses. It’s also when I discovered Read Loop’s asymmetric Patchwork design which became my ‘go to’ pair of readers. (They’re the ones I’m wearing in the above picture). Well a couple of weeks ago – and after 10 years of much loved wear – my precious favourites finally broke. So, I posted on my @jeanettesloan Instagram feed about how much I’d miss them, particularly because they were a Christmas gift from Sam. Well following my post, the lovely people at Read Loop got in touch and we’ve come up with a fabulous offer exclusively for you, whether you sign up  to my newsletter, subscribe to this blog or follow me on Instagram. 

Shop on online at  www.readloop.fr and use the code JSLOAN10 to get 10% off, a free eyewear cord with each order and free shipping over €90 (around £77). Discount code expires 30th April 2024. 

I must say a huge thank you to Claudia at Read Loop who kindly gifted me three pairs of glasses; one from the everyday ‘Comfort’ range, one from the ‘Digital’ range (great for screen working) and one from the ‘Sunrise’ range for when I’m sitting, knitting in my sunny new garden.  If you do treat yourself to a pair(s) be sure to tag me and @readloop on social media. I really can’t wait to wear mine over the coming months and years. 

Until next time, happy making!

J x

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Shop online: www.jeanettesloandesign.com

52 Weeks of Accessories: a new design and a new chapter.

I know that’s a long title, right? Well, it kind of sums up where I‘m at right now. 

So much has happened in the last three years, culminating in a major house move towards the end of last year. And because I’m keen to give myself time and space to process these changes, 2024 marks the start of a new chapter. One where I’ll be adjusting to life in my new home city of Bristol and taking mindful steps each day to listen to what my body needs. Whether that’s reading, resting, cooking, crafting or soaking up the culture of my new hometown, this year, you should expect to see something a little different from me. 

And what better way to kick off the year than with a new design? Having kept this under wraps for several months, I can finally reveal I have a design in Laine Publishing’s new book, 52 Weeks of Accessories. 

Hidden Star is a mitten & fingerless mitt pattern that celebrates my love of beaded knitting, and as the temperature drops here in the UK, the timing couldn’t be better. Hidden Star is about snuggling up (remember my constantly cold hands) but with a twist on traditional stranded colourwork. Blocks of different coloured beads draw the eyes to a dart-like shape on the back of each mitten, and these mirrored darts reveal a star-like motif when both hands are placed together. So when one of my fabulous test knit team suggested the name Hidden Star, I jumped at it. It’s perfect, don’t you agree?

The mittens are knitted in John Arbon Exmoor 4ply Sock. After doing some initial swatching, I found knitting with two close tones of the yarn held together produced the gentle marled colour effect I wanted for this design. So, I mixed orange (Quick Beam) and red (Peggles) for the top section and dark turquoise (Plashes) and navy (Whortleberries) for the bottom section, with an acid green (Oddmedod) stripe cutting across the centre of the mitt to give the eye a lift. Of course, if you prefer, you can use a regular DK yarn in a single colour to make Hidden Star, as some of my test knitters did.

At this point, I must say a HUGE thank you to every member of my fabulous test-knit team who pulled out all the stops to meet an incredibly tight deadline when testing this pattern. They showed such grace and patience while I juggled with a new-to-me project management platform, responded to their queries and quickly picked up on my occasional lapses in concentration. You are all amazing, thank you!! #teamtestknit

As you can see, the results of the Hidden Star test show how you can channel your inner designer with the yarns and colours you use. I love how each knitter’s combination of yarn and bead choice reveals a little something about their personality. Seeing how every team member worked through their allocated version of the design was pure joy. Each was asked to knit a specific size and version for a full test of the pattern instructions, and what was even more gratifying was that some had never tried beaded colourwork before. That made it even more incredible that they could turn this test around in the time given while navigating such a steep learning curve. 

Oh, I should mention the beads; I mean, how could I forget them? As the pattern is knitted in a DK weight, I’ve used Debbie Abrahams size 6 glass seed beads in purple (Rainbow), orange (Fruit Salad) and clear. These colours really pop on the marl background, and slipping the beads in groups rather than singly – what I like to call beaded floats – makes the star motif stand out even more effectively. 

Toasty Cosy Fingerless Mitts

Toasty Cosy Mittens

I’ve created many mittens and glove patterns over the years. I particularly like offering them in full mitten or fingerless mitt options, as I did for Toasty Cosy, part of the Warm Hands collection I co-edited with my friend, designer Kate Davies. With each design, I try to inject some intriguing details to make them more interesting for you – the knitter. After all, when you knit one of my designs, you’re investing both time and money into making the project, and both are precious. So you’ll be pleased to hear that short-row shaping and an i-cord cast-off also appear in this design (i-cord cast-off used in the fingerless mitt version only). 

Hidden Star can be found in Laine Publishing’s 52 Weeks of Accessories. It’s a stunning collection of inspiring makes, and I’m proud to have my design featured alongside such an impressive pool of international design talent. If you hop over to the Laine Publishing website, you can pre-order 52 Weeks of Accessories and get a sneaky preview of all the designs. I hope you like Hidden Star. It feels great to start the year with the release of this new pattern, and I’d love to hear what you think of it.

Oh, and before I go, if you’re in the mood for glove, mitten and mitt knitting this weekend, you can get 15% off Warm Hands over on my website. No code is needed, but the offer ends at 11.59pm Sunday, 14th January GMT.

Until next time, stay warm and happy making!

J x

Shetland Wool Week 2023

It’s the first of July! Pinch and punch and all that. Can you believe we’re already talking about Shetland Wool Week? Well, bookings for this years event went live this week so of course we’re talking about it.

2022 saw my first ever visit to this iconic festival which I LOVED so I’m very proud and happy to have been invited back to teach this year. It’s inspiring that while Shetland Wool Week is renowned for celebrating the islands’ rich textile heritage the organisers are also looking to embrace tutors from outwith Shetland. This helps to ensure there’s an evolving schedule of classes, talks, demonstrations and meetups that will appeal to all types of crafters and artisans. 

This year I’m teaching two full day workshops at Islesburgh Community Centre, Lerwick-

Introduction to Beaded Colourwork on Wednesday 26th September.

And Sew Pretty: Introduction to Embroidery for Knit and Crochet on Thursday 27th September.

I’ll also be co-teaching  a very special workshop on Tuesday 25th September alongside my beautiful friend Felicity (Felix) Ford aka Knitsonik. The picture below shows why we were both asked to be model.

We’ve called it Colourwork Two Ways: An Adventure in Oddments and Beads as it brings together Felix’s love of stranded colourwork and my passion for beaded colourwork. This is a truly unique exploration of the different creative possibilities of working colourwork charts in yarn oddments or with beads. 

Bookings for all this year’s Shetland Wool Week events launched on June 27th, and tickets sell out fast. That means you need to visit the Shetland Wool Week Box Office quickly to avoid disappointment. 

If you’ve never travelled to up to the Shetland’s mainland, believe me, it’s one of the most stunningly beautiful places I’ve EVER visited. Lying 100 miles off the north east coast of Scotland, for me, its remoteness only added to the wonderful sense of peace I felt during my two week stay. I was lucky to be staying in Hoswick, home to the studio of my brilliant friend, knitwear designer Neila Nell Kalra who invited me to stay in her guest cottage (which I’ve since re-named Sloan Cottage).

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I know what you’re thinking, if Shetland Wool Week only lasts a week, what was I doing there so long? Well being the sort of designer who wanted to showcase her knitwear on ‘real’ people, Niela invited both me and Felix to model for her alongside other members of the Nielanell family and friends who lived locally. The shoot took just two days but during that time we packed in so many changes of outfit and this is thanks to the exceptional production skills of Astrid Johnston and Gail Turpin who made sure there was a constant flow of perfectly prepared models for photographer Austin Taylor to shoot.

As I promised to publish my Shetland pics I won’t ramble on here, I’ll just let you see what we got up to. (Note the picture of me fangirling with legendary Shetland knitter Hazel Tindall).

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I also help out Niela’s right hand woman, Katie Leask, when setting up the company display at the Saturday Maker’s Market. As it turns out, it was good practice as I’ll be showing there myself this year.

Don’t forget, if you want to grab a place on my, Felix’s or anyone else’s classes or talks at this year’s Wool Week you’d better be quick as some have already sold out.

Click here to book your events on the Shetland Wool Week site. Till next time, happy crafting,

J x

MDK Skill Set: Beginning Knitting

A couple of weeks ago I received a copy of Skill Set: Beginning Knitting, the new publication from my good friends Ann Shayne and Kay Gardiner at Modern Daily Knitting.  

Full of creativity and curiosity, this book is aimed at ‘innocent-as-a-newborn-baby’ knitters and has a tone that’s as warm and welcoming as it’s authors. Confused about what needles to use? What the heck is Worsted yarn? What one earth do I do with a skein? No need to stress because Ann and Kay gently guide you through everything you need to know. So whether you’ve tried knitting and abandoned it through frustration or never knitted a single stitch, everyone is instantly welcomed into the knitter’s world, led carefully by the ladies of MDK. 

What’s really encouraging is that despite their 40 years combined knitting knowledge, in this book they’ve put themselves in the position of a newbie knitter. Each of the 9 lessons gently guides the reader through what they need to know, and when they need to know it. Starting as ever with Lesson 1, The Knit Stitch (via Supplies, Casting On and Casting Off) then progressing onto purl (Lesson 2), along the way pointing out how the two combine to form ribs and exactly how stitches are correctly oriented on the needles. 

If this is enough of a challenge for you, then as MDK rightly point out, there are plenty of project options available to you in the form of scarves, cowls and blankets. But for those wanting to venture further and broaden their skills, increasing and decreasing are covered in Lesson 3, Basic Shaping.

Next comes Lesson 4, Knitting In The Round, and why you would want to – think sleeves, socks, hats, gloves and mittens just for starters – followed by fancy stuff like basic lace and cables in Lesson 5.

Basic Colourwork is covered in Lesson 6, from stripes – yes that is a form of simple colourwork – to the more advanced stranded techniques and intarsia. Lesson 7 guides you through Finishing; from sewing in ends and joining seams to blocking your work and Lesson 8 explains how to read a pattern, some common abbreviations and demystifies the barrage of information found on a yarn label.

There’s also advice on how to create your own knit kit essentials plus what to do in the event of a mistake and let’s face it, however many years you’ve been knitting, we all still make those. Lastly, Lesson 9 deals with Fixing Mistakes so whether it’s picking up a dropped stitch from one or four rows down, ripping back a few rows or unknitting a whole section it’s all clearly explained in Skill Set. 

What’s more, alongside this cute wee book which is designed to slip easily into your handbag or project bag there’s also the Skill Set App. Available for both Apple and Android phones it contains videos for all the included techniques with the option for slow motion replay. How good is that?! It’s like having a miniature version of Ann or Kay in your pocket, and who wouldn’t want that? 

This book is intended to build your crafting confidence and when you’ve done that, Ann and Kay would like you to pass it on, so the next knitter can use it to hone their knitting skills. I’m gifting this copy to my good friend Katie whose knitting is gradually coming along because I know she’ll refer to it – when she can’t get me on a WhatsApp call. 

Skill Set isn’t available from my website but you will find it – alongside with lots of other goodies on the MDK website and also over in the Arnall-Culliford Knitwear Online Shop.

Ann and Kay, thanks for bringing even more MDK joy to our fibre world, this book is a gem. Still like the idea of having each of you in my pocket though…….

J x

I’m teaching at Knit Stars 6!

How has April been for you? I hope you’re keeping safe well and adapting to the ‘new normal’ we’re all having to navigate. Thankfully the sun has been shining brightly here in Hove, although the chilly wind is a constant reminder that we’re not yet ready to swap woollen sweaters and leggings for a lighter weight summer wardrobe. April has been a super busy month for me, and May is set to be even busier because the big BIG news I have to share with you is that I’m teaching at Knit Stars.

For those who haven’t yet heard of it, Knit Stars is a virtual learning conference for the fibre arts. But it’s also much more than that.

Created by Shelley Brander, owner of US-based local yarn store Loops it’s a lavish, thoughtfully curated program of workshops taught by some of the best instructors in the fibre community. There are 12 online workshops to choose from covering a wide range of topics. Each lasts 1 – 2 hours and is the equivalent of what you’d get in a 3 – hour, in-person class. Plus, you get access to them forever, which means you can learn at your own pace.  

You also get to peek behind the scenes into the Stars’ own homes wherever they’re based worldwide, and this year we cover Australia, the UK and the USA. Plus, there’s the chance to purchase kits and patterns created by the designers collaborating with specially chosen yarn partners, exclusively for Knit Stars!

this year sees the 6th season and the theme is ‘Live Colorfully’, so expect lots of courses inviting you to explore colour through both traditional and innovative techniques. 

I’m not going to spoil the fun and tell you everything, but as a subscriber to my Newsletter, you definitely get to find out first. So as a little teaser, I can tell you that I’ll be teaching Beaded Colorwork and am partnering with Leila Bux of The Urban Purl I’ve been an admirer of Leila’s work for some time now, and we’re creating an exclusive kit that can be purchased as an optional extra, once you’re a Knit Stars owner. (We’ll be collaborating on some sneak peeks in the next few days so make sure you’re following both @jeanettesloan and @theurbanpurl on Instagram).

The production quality of Knit Stars is jaw-dropping thanks to Shelley’s many years working in TV production; in fact, you’ll feel like you’re travelling the world without having to leave the comfort of your home. So no baggage allowance nightmares, early morning taxi transfers or airport queues to deal with.

To buy Knit Stars Season 6 CLICK HERE  or simply click either of the Knit Stars images above. 

Please note; this is an affiliate link, which means if you sign up, I’ll get a commission. It’s a great way to support me as an indie designer, so thank you in advance!

J x

MDK Field Guide no 15

Well this is something of a change in mood from my previous post. I didn’t realise it was so long since my last blog post or that I’d been in such a dark place when I wrote anything here on this precious space. Sorry that I’ve been away for so long but I needed to take that time away but I’m back and very happy to say that I’ve got some really exciting news.

Back in the days before Covid – remember those? When we could travel without face coverings, gather in large numbers and god forbid, actually hug the people we love! Anyway, it was way back in 2018 when I first met Kay Gardiner and Ann Shayne, the brilliant and very funny ladies behind Modern Daily Knitting. We were supposed to be having a fancy breakfast meeting before going to the 2018 Edinburgh Yarn Festival and I was already in fan girl overdrive when, after talking their arses off for 2 hours, they asked if I’d be interested in designing one of their Field Guides. Well after picking my jaw off the table for a second time I said “hell YES!”

Scroll forward 24+ months. To say that it’s been eventful would be something of an understatement. On a personal level I’ve had to come to terms with a serious decline in Mum’s cognition which has meant she and Dad now need more support than ever which has made keeping up with work very difficult. But on a positive note the fibre industry is finally tackling racism, not just within but globally, the BIPOC in Fiber website is live and the positive response to it has been amazing. So following in that spirit of positivity and excitement I can finally reveal that Field Guide no 15 – you know, the one the Queens of MDK asked me to design? – is due to launch on August 7th! (Cue the screams, popping corks and sounds of Chaka Khan’s ‘I’m Every Woman’ playing LOUD).

I’ll be writing a longer post about FG15 once it’s launched but just wanted to give you a little teaser to tide you over for now. Oh also to let you know that I’ll be stocking print copies of Field Guide no 15: Open over on the Jeanette Sloan Design website along with Warm Hands.

But for now I’ll just leave you with this ……

And yes, that is pink and orange packaging

J x

North Point, The Knitter issue 134

 

This design takes its name comes from the cliffs of North Point which can be found in the parish of St Lucy on the island of Barbados. Sitting at the northern post tip of the island it’s renowned for the powerful Atlantic Ocean waves that pound the rugged landscape throwing columns of sea spray upwards onto the limestone cliffs above. Whilst I was swatching for this design I was intrigued that moving the initial vertical lace pattern just one stitch in either direction on successive rows created arcs of pattern that reminded me of those constantly crashing Atlantic waves, hence the name. Standing on the cliff edge at North Point in the hot Bajan sun the sea views are both dramatic and uninterrupted, in fact you could literally be teetering on the edge of the world.

Back in the slightly chillier UK I wanted this wrap to be your ‘go to’ cover up if, like me, you’re always cold. It’s a lace design but not in a traditional sense as it’s worked in Erika Knight’s Wild Wool, an Aran weight blend of 85% wool 15% nettle fibre (shown as viscose on the label). Knitted in two pieces grafted at the centre each piece begins with a provisional cast on. The main section of each piece is knitted in a broad vertical rib with single stitch decreases, slip stitches and eyelets defining where the knit columns meet the purl.

 

 

As I mentioned previously the travelling arcs of lace are created by moving the pattern one stitch to the right on the first piece and one stitch to the left on the second piece and this produces a mirrored effect when the two sections are grafted together. The edges of the wrap are slipped which gives them a rounded finish and this look continues when the provisional cast on stitches are picked up and finished with an i-cord cast off. There are lots of reasons why I love this design; the stitch pattern is completely reversible, the yarn has the most incredible drape and given the mix of knit & purl and the gauge of the yarn, I think that may be the best seam I have EVER grafted.

I really hope you like it too. 

J x

Yarn Stories podcast episode 207

 

Just before Christmas I had the pleasure of being ‘interviewed’ by Mim Felton for her Yarn Stories podcast. The reason I’ve used inverted commas is because although we hadn’t, and still haven’t ever met, chatting to her was so lovely and relaxing it was like talking to a friend I’d known for ages. In fact we talked for so long she had the mammoth task of squeezing over 2 hours of sometimes random chat into something much more sensibly structured which runs at just under an hour.

As well as covering diversity, inclusion and of course under representation of BIPOC  in the fibre community we spoke about how I started knitting, sustainable fashion, crocheting in church, the joy of making and lots lots more. It’s definitely worth a listen.

You’ll find Mim’s Yarn Stories website here

Mim, I loved talking to you. I really hope we meet in person some day – and I’ll bring the gin.

J x

Racism in the fibre community

I’ve been a bit quiet of late and there are a number of reasons why. First and foremost 2 weeks ago one of my very elderly parents was rushed into hospital. Thankfully they’re now recovering but obviously they had to take priority over everything else including me. 

I say this not to gain sympathy although I’m truly very grateful for all the supportive DMs and comments I’ve had wishing both them and me well. It’s because I am their primary carer. That is my job.

As a result of this I’ve had a lot of catching up to do which is why I’ve only just watched THAT video on YouTube. I have no plans to link to it from here as it currently stands at over 42,000 views and I’m certainly not going to create a link that drives more traffic to it. (If you don’t know what I’m referring to you’ll need to do some work of your own by using the #notthesilentmajority #racisminknitting hashtags on Instagram, you’re sure to come to it). To be honest there’s already been so much said about it and her that I don’t think I can add to it, particularly since I’m playing catch up again. That said there are a couple of things she said that I wanted to pick up on. 

‘an intense social justice issue that started infiltrating Instagram’

Firstly this phrased was used to describe the current discussions about racism in the knitting community. They’ve certainly gained traction in the last few weeks as more and more people of colour (*POC) recount and relive painful and humiliating experiences. Many of them left me open mouthed, appalled and bloody angry though I really shouldn’t be surprised. I’ve been fortunate to have had very few experiences of racism in the fibre world aside from being asked for ’n*gger brown wool for a golliwog’s hair’ (said as the customer looked up at my hair for reference) while working for Rowan as an instore Design Consultant.

Outside the fibre world I’ve had numerous experiences both subtle ‘oh your English is very good’ or ‘is it hot where you come from?’ (what, East London?) and more blatant – being called the ‘N word’ on the streets in Kent just a few years ago. Like fellow POC or anyone who has to deal with racism and discrimination let me just tell you.

Those experiences were very real for me and should I choose to talk about them no one is going to tell me that I shouldn’t. Or that talking about racism is, in itself racist. It isn’t!

Those experiences continue to be real for POC who are still being discriminated against and it will always be their/our right to talk about what they/we have experienced. They/we need to be heard and acknowledged for proper, intelligent, productive conversations to take place in order to change the fibre world into one that reflects all the people in it – minority and majority. Not just the ones who are perceived to be ‘the majority’.

As you can imagine here in the UK race isn’t a subject that’s often discussed publicly and to be honest I’ve never spoken about racism so openly and frequently before. But, as I’m no academic authority on the subject when I do, it’s as a black designer speaking purely from personal experience. So, if I’m going to do justice to my role as Keynote Speaker at this September’s Perth Festival of Yarn I’ve got a lot of reading to do. *see below

For anyone in any doubt as to whether there is racism in the knitting community. Yes, there is. Have a look at some of the experiences poc have had on @su.krita’s Instagram feed here.

Still in doubt? Well, why wouldn’t there be racism in the fibre community? It’s made up of human beings and whilst some are good, some are real shits. There are those who believe that inclusion matters. That EVERYONE is represented regardless of colour, ethnicity, gender, sexuality, physical ability or body shape while others only want to be part of a community where everyone looks and thinks like them. 

The ongoing IG discussion shows that it’s just not good enough to say that it shouldn’t be discussed in the knitting community because ‘it’s full of lovely fluffy stuff’ and we’re all just here to knit. Well we are here to knit but when people (including me) are:

• asked for ’n*gger brown’ wool (I’ve never used someone’s skin tone as a colour reference)
• asked if that’s how they knit ‘where you come from?’ (again, East London?)
• constantly followed around yarn shops (well you know how ‘they’ steal)
• instantly shown the cheaper yarns (because they’re assumed to be too inexperienced to be using better, more expensive yarns)
• ignored in a yarn shop (until they spent a huge amount of money)

 they / we’re entitled to share their / our experiences of racism in the knitting community because that’s where they happened.

There are many voices calling for magazine and book publishers, yarn companies and festival organisers to do better and make changes. Mine is certainly amongst them and I’m very glad to see announcements by some major names admitting that they have fallen short and need to to better. I’m not sure however that every individual silence represents a racist and I’ll no doubt get some grief for saying so. I’ve had lengthy phone conversations in the last week with two friends one of whom is black, the other white. The black friend (let’s call her AB) has spoken out about her experiences of racism and received aggressive and critical messages for doing so whilst the white friend (let’s call her CD) is concerned about saying the wrong thing but in staying quiet realises she’s perceived as part of the silent (racist) majority. The ‘silent majority’ is the second reference from THAT video that I wanted t pick up on due to its sinister connotations. 

Racism isn’t a one sided issue and there needs to be room for discussion to allow people to examine both themselves and their behaviour in order to effect real change. As a fibre community we need to see more representation of POC teachers and vendors at fibre festivals and more indie dyed yarns and designs created by POC in the knitting and crochet publications we see on our shelves. Seeing yourself represented means that you are welcomed as part of that community. Some brands are doing the work now and currently implementing changes while others are just ignoring the issue in the hope that the talk will die down and those of us who have been banging on about this will simply go away. We won’t. 

I’ll be continuing to highlight and promote the work of POC Designers and Crafters in the fibre community….. so it looks like I’ll be talking about it for the foreseeable future. 

J x

*I am aware of the acronym for black & indigenous people of colour – BIPOC and as I do more reading to educate myself I may revise my use of POC but for now it represents people of colour in the broadest sense.

POC designers & crafters

This post sort of follows on from my previous post ‘Black people do knit & the diversknitty conversation’. As I’d hoped there’s been a lot of very positive responses to the article and it’s got a lot of people not only talking but connecting with black designers, crafters, dyers & makers from across the knitting & crochet community. It’s also put the odd person’s nose out of joint with comments that the article itself is racist  –  well let’s just say they clearly haven’t read it.

As part of the conversation we had over on Instagram I asked how many black knitwear designers people could name and it transpired that it wasn’t as many as we’d hoped. Well in an effort to address that imbalance I invited people to comment on my post with the names of any black designers they knew and where in the world they were located. What I actually wanted to know was the names of designers who, like me work in the craft industry designing patterns for others to knit for themselves. But because my original post was vague (as no doubt, was my brain that day) what I got was a wonderful list that included a variety of creative folk ranging from hand knitwear designers & fashion designers producing high end ready to wear garments to machine knitters, crochet designer/makers and indie yarn dyers. I did promise at the time that I’d compile all this info into a list to be made available to all who are interested and to be honest it’s taken me this long because I wanted to make it easy for anyone browsing through it to link directly to their work and Instagram profiles. I’ve called the list POC designers & crafters and although originally it came about on the back of the black people do knit hashtag what the discussion did throw up was that other non white ethnicities also knit. Well after all why wouldn’t they? Just in the last week there’s been chat about how Asian knitters are also under represented so knitters like Soraya Hussein (@mahliqawire), Hansa Sinha (@hansa.sinha), Sukrita Mahon (@su.krita) and Ankita Anupurva (@yarn.and.needles) are urging other Asian knitters and those from the Asian diaspora who knit to join in the conversation with hashtags like #asiansdoknit #asianknittersofinstagram #knittersofindia and #wedotoo. Looks like this is the beginning of a growing list of talent. How fantastic!

Maxhosa by Laduma

Maxhosa by Laduma

Click here to see the POC designers & crafters list

The names are in alphabetical order by region with links to Instagram profiles, websites, Etsy shops etc. Please forgive me if I’ve spelt any names incorrectly and let me know any of the links go astray or just don’t work. Oh and I’m sorry to add this as a link here rather than as a new blog page but despite trying numerous times it just wasn’t showing up in the menu and to be honest my head just isn’t up to it today.

Third Vault Yarns

Lady Dye Yarns

Enjoy the list and if you’re wondering where all the crochet designers are, there’s more to come…….

J x