Constance cowl for Erika Knight

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Even as recently as 10 years ago I was never really one for wearing neck accessories – you know, scarves, cowls, shawls and the like. That was of course until I cut all my hair off (if you know my medical history I won’t need to go into why) and it’s not until you have no hair at all that you appreciate having something warm and snuggly around your neck to keep you warm. Yes, whilst a hat may be the obvious option for some reason hats just aren’t my ‘go to’ accessory.

So as a proud wearer of neckwear I’m really pleased to present the Constance cowl, my second design produced for  the Erika Knight yarn range.

Now as I mentioned in the previous post on the Camellia sweater these designs were commissioned/knitted around the time of my ‘brain squatters’ so even now some of the details are a bit hazy. I remember (I think) knitting it before my op then sewing it up and despite my best efforts to write notes for everything when I came to write up the pattern I couldn’t remember or see if it was knitted flat or in the round – so I had to search for and eventually undo the seam to confirm how it was made. Annoying at the time but it does say something for my expert mattress stitch technique.

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Browsing through the many books in my library of stitch patterns always sparks off lots of ideas and in this case the stitch came before the project itself. I wanted to create a rib based stitch that had a touch of lace but with the advantage of being reversible. A couple of hours, a bit of graph tinkering and a few swatches later I was happy with the results.  The 30 row repeat stitch pattern combines simple knit & purl with double yarn overs and slip stitches to create an unusual slanted rib structure that creates a lovely zig zag side edge that disappears when the project is sewn up after knitting.

The design is knitted in Erika’s British Blue 100 which is a beautifully soft DK weight yarn spun from 100% Bluefaced Leicester wool. It’s available in a choice of 10 shades and the cowl shown on the front of the pattern is knitted in Regent’s Park.

It’s generously sized so that it can be looped twice around the neck and of course you could always add a few extra repeats to the length if you wanted to make it deeper. 

I hope you like the pattern and would love to see what colours you choose for your version #Constancecowl

Have a great weekend

J x 

 

Camellia sweater for Erika Knight

*Before we start I should pre-warn you that there may be a bit of waywardness in this post

It’s been quite a whirlwind of a year, in fact that’s a bit of an understatement. I try not to look back too often and dwell in the past but as you’ll know if you (hopefully) read this blog regularly I occasionally have days when my brain doesn’t work as it should. Mind you whose brain does?

Mum often tells me that I don’t allow myself to recover properly when I’v been ill and to be honest she’s probably right. Since my craniotomy following the brain tumour diagnosis last May we’ve moved house (hooray), overseen a major renovation on the kitchen from hell (even more hoorays) and this Friday we’ll finally be moving my elderly parents from Essex to East Sussex so we can look after them. Understandably at ages 87 & 93 respectively  Mum and Dad are excited and more than a little anxious. They’ve lived in and around London since they came to England from Barbados at the end of the 1950’s and I think they’ve only visited Brighton on day trips to the seaside with the church…..a church they attended for the last time yesterday having been members of the congregation for over 35 years. So it’s fair to say there’s been a lot going on and somehow I’ve also managed to do what seems to be lot of design work. (More by luck than careful planning take my word for it).

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Camellia is the latest design to be published but the first I’m proud to say that I’ve designed for Erika Knight. As I mentioned in my previous post I met Erika at a yarn festival here in Brighton and we got on so well we’ve stayed in touch ever since. Erika has a very understated, modern design style and her eponymous yarn range focuses on the highest quality, natural fibre yarns produced (where possible) in Britain. To be asked to design in any of her yarns really is like being a kid in a sweet shop; from big fat Maxi Wool to the wonderfully hairy Fur Wool my creativity went into overdrive and I soon scrambled to sketch out more designs than I’d done in a long, long time.

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Oh yes, that brings us back to Camellia. Knitted in Erika’s Studio Linen it’s a long sleeve, scoop neck sweater with a very simple silhouette that allows the characteristics of the yarn to shine through.  Made from 85% recycled linen and 15% premium linen fibre this is an extremely special yarn and an absolute dream to knit with as it’s not only soft but has a wonderful slinky handle that means it drapes beautifully . I chose a really subtle rib stitch for the sleeves and yoke and contrasted it with good old stocking stitch for the body but just to make things a bit interesting added a small gather detail at the centre of the bust at the start of the rib section. I’ve used a long tail cast on for both body and sleeves to keep the edges nice and soft and there’s gentle ruffle on the cuffs where the stocking stitch gives way to the rib.

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It’s been a long process to get this design published as it was originally designed before my diagnosis and to be honest it was a bit of a struggle to get back into my pre-op headspace. Whilst I really enjoyed knitting the garment myself it was, at times, really frustrating that notes I’d made before no longer made sense to me. In fact even 14 months after my surgery it’s like looking at someone else’s work and I still can’t remember whether it was knitted before or after the op. I’d like to say a huge thank you to Erika and Bella for their patience and understanding, it wasn’t easy getting this done but I’m so pleased with the results and hopefully you knitters will be too.

The garment has been sized from S – XL oh yes and I should also thank Bronagh Miskelly for her brilliant tech editing skills, I really couldn’t have done this without her help.

You can buy the pattern for Camellia #camelliasweater from your nearest stockist of the Erika Knight range or from the Erika Knight Pattern Store over on Ravelry

Have a great week

J x

 

Hove Actually, The Knitter issue 112

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Well, just like buses, you don’t design anything for a couple of years and when your creative mojo does finally return both designs hit the shops in the same month. No complaints from me though. Given how life looked at this point last year I realise how very blessed I am.

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My latest design Hove Actually has just been published in issue 112 of The Knitter. It was  originally submitted back in March of last year when I was blissfully unaware of the interesting turn the year would take just a couple of months later with the diagnosis of two brain tumours. Understandably this meant that I couldn’t complete the commission but fortunately when I approached Kirsty McLeod ( The Knitter’s Commissioning Editor) back in January of this year, she still wanted to use it.

In a lot of ways this design reflects how my life has changed over the last 12 months. I really wanted to create a simply shaped, relaxed jumper. You know, the sort you’d throw on with a pair of linen trousers if you were going for a beach walk on a bright sunny day. (And in a strange echo of things to come, although it wasn’t the case when I came up with the design, we now live just 3 minutes from the sea). Worked in one of my all time favourite yarns, Rowan Denim, along with Handknit Cotton it has a boxy body and slash neck that help to give it a relaxed feel.

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In terms of techniques both body and sleeves begin with a 3 colour braided cast on then continue with a 2 colour border worked in mosaic stitch that splits at the sides just above the hips. The main body uses the same chart as the border but it’s worked in a single colour in simple knit & purl texture that will develop in character as the denim yarn fades beautifully with each wash.  In fact the whole garment will age gently the more it’s worn and washed, it’s one of the reasons I chose to use the denim yarn.

I tend not to name my designs until after I’ve knitted them but wanted to celebrate something of a new beginning having been given a clear bill of health (again), our move to the seaside and of course the standing joke that if you ask a Hove resident if they live in Brighton, the reply usually comes back in a flash. ‘No, Hove actually’.

 

I love the way the garment turned out and the styling in the magazine suits the design perfectly. As I said it’s been a while since my work has featured in The Knitter and this issue sees the launch of a new look cover along with a new series of 8 page pullout booklets. Issue 112 also has designs by Liz Lovick, Emma Vining, Kaffe Fassett, Mary Henderson, Penny Hemingway, Pat Menchini, Kyle Kunnecke, Chloe Webster, Helen Ardley. So understandably I’m truly honoured that they chose to feature Hove Actually along with an interview I did with the lovely Helen Spedding just a couple of months ago in the first of these spreads.

I’m not sure how worthy I am of being described as ‘inspirational’ I but felt very humbled (and more than a little bit emotional)  when it arrived in the post this morning. The weather is supposed to be ‘scorchio’ here this weekend so grab a copy, get down to the beach (or just sit in the sun) and enjoy!

Jx

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On The Tiles Clutch Bag

Well hello!

Yes I remember back in January when I did the #31daychallenge that it was meant to get me blogging more regularly but over the past week the building work has had to take priority. We’re still living on ready meals (albeit very delicious ones from Cook), we’re still at the mercy of a temperamental immersion heater that produces water so hot it’s like standing under a boiling kettle so we switch it off 8 hours before we actually want to shower and yes I’m still washing the dishes in a plastic crate in the bath. BUT we’re definitely on the home straight.

The walls have now been plastered and the first ‘miscoats’ of white emulsion paint applied. I’m actually a little worried about how much light bounces around the newly extended kitchen / dining / lounge room. When I was painting last week it was so eye piercingly bright that it actually caused a migraine – no really,  I’m serious. I had to take two Sumatriptan and go to bed for an hour. Thankfully Sam and my nephew Jas were both around to pick up the slack, it’s amazing how hard a 19 year old will work when there’s hard cash involved. Anyway we’re definitely making progress – well the builders are – and we may even take delivery of the new kitchen by the end of the week. So with all this going on I completely forgot that my latest design has just been published in the July issue of Knitting Magazine.

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On The Tiles is a simply shaped clutch bag knitted in a pure wool yarn that’s then felted in a washing machine. It’s knitted in The Little Grey Sheep Hampshire Chunky which is a yarn I first saw when I visited Unravel back in February and I have to admit it was love at first sight. It’s rounded with a soft, lofty feel and a hints of black/grey and ecru that add lots of interest to the colour. I normally start with a sketch of the design but in this case we (that’s my editor Christine and I) had got chatting to Emma from TLGS about the possibility of a design and I had to select the colours then and there.  It wasn’t easy as the range of shades that Emma has put together is truly tempting and although I went for my usual spicy combinations of rust, reds and pinks I thought it would be interesting to venture in a different direction colourwise.

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Each of the 19 colours is intriguingly named after places and people in Hampshire so rather than my default combo of Mickelmersh (a weathered rust) and Sense and Sensibility (pinky brick red) I eventually plumped for Dragon Racing (a dirty teal) and Walking the St Swithuns Way  (a gobliny green with a touch of yellow).

 

fullsizeoutput_526Having chosen colours I knew that I wanted a stitch that would work as a stripe with some sort of texture where one colour ‘intruded’ in some way onto the next. I absolutely love the swatching process and after a few experiments found the combination of slipping certain stitches then eventually knitting them ‘out of order’ created an elongated stitch that worked as I’d imagined. As an added bonus it also created a scalloped edge that could be used as a feature cast on at the opening edge of the finished bag. I’ll admit that the stitch pattern does take a while to get your brain around it but if my wonky brain can manage then I’m sure you’re up to the challenge.

Once knitted the bag is felted and then the making up process begins. Now I really am not a fan of saggy knitted bags so as well as felting I thought that lining the bag with a heavyweight interfacing would help the bag keep it’s shape when used. I’ve recommended pelmet interfacing but since making the bag have found that Decovil interfacing has a nice heavyweight that works better. It’s slightly more expensive than standard interfacing but worth it for the quality, I found it here at Cotton Patch where you can buy it by the 1/4 metre. As it’s not the most straight forward making up process to interface and insert the lining into the bag so I’ll be posting a tutorial over on the website (which is currently being updated) so keep an eye out for that. I’d be interested to hear what you think about the design and would love to see what colour combinations you’ll be coming up with when you make your version of On The Tiles ( use #onthetilesclutchbag on twitter and Instagram and I’ll find you). Oh and the name? The way that one coloured stripe stacks on top of the next reminded me of tiles, plus it’s a great sized bag for carry the basics when you’re on a night out. Or perhaps it’s the influence of all this building work….

In the meantime I’d better get some knitting done, I’ve got a couple of design submissions to work on….and kitchen appliances to source.

J x

 

Radio silence

The reason you’ve not heard a lot from me over the last week is because I had a busy and stressful week that was thankfully peppered with the odd joyful moment that kept me from falling into utter panic. Back in the days of the old brain the design commission  I was working on would generally have taken me less than a week to knit, then translate into written pattern instructions with charts for submission to the appropriate magazine. However with the new brain it turns out that even knitting one of my own designs whilst enjoyable, was also exhausting and frustrating almost in equal measure.

The design in question is a simple slash neck sweater in mosaic and purl stitch texture and it was originally designed last March (I think) before the brain squatters were diagnosed. Having decided on a simple, easy to wear silhouette I was really looking forward to getting started. Having cast on and knitted the first few repeats I thought I’d got the hang of the 16 row pattern.  Then of course I’d lose where I was  or just rock on for a few rows forgetting to decrease when needed so back I’d go, rip, rip, ripping it out and cursing under my breath. Damn brain! It took longer than planned and took more yarn than requested due to a definite difference between Rowan’s old denim and the new definitely skinnier-in-the-fingers ‘Original Denim’. (Just a word of caution, if you’re planning on knitting a vintage Rowan Denim design using the newer yarn take the time to swatch before you cast on for the garment).

By the time I’d finished sewing it up over a year after it was originally submitted although I’m happy with the results my lack of confidence issues mean there were lots of nagging doubts whilst I was knitting and praying that the commissioning magazine is equally as pleased. Oh and that it fits ok.

It was only once I’d cleared the decks and finally posted the garment off  that I could truly, truly relax. I’m not sure in what issue of the The Knitter it will appear but here’s a little sneak peek of the lovely purl and mosaic textures.

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Put simply..thank you

31 Day Challenge Day 11

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First I must apologise for this post being a day late and once you’ve read this post I hope you’ll understand why.

Having used a PC for more years than I care to remember, after a LOT of nagging from Sam I eventually made the move to Apple last year and treated myself to a MacBook. Fast forward 14 months and I still haven’t really got to grips with how the damn thing works and yes, ok so there’s been a very good reason why. Whilst the day to day stuff is very straightforward my brain just ‘flatlines’ when it comes to loading new programs as this works very differently on a Mac compared to the Windows platform. So with some design work to complete I needed to invest in some new charting software and thought, having heard lots of good things about it, that I’d give Stitchmastery a try. Well TRY I did….and try…and try…then I gave up because my brain had had enough….then I tried again (and just to clarify the fault lies with me not the program). Throughout this process I emailed Cathy at Stitchmastery for technical help and though I must have driven her to absolute distraction she was prompt in replying, patient, polite and incredibly helpful.

So Cathy whilst this isn’t the most innovative use of your genius charting software (I hope you’ll excuse my first attempt at using it) I just wanted to say a huge thank you

New 4ply Design – #3 Brighton

This is the last of the new designs in Baby Alpaca / Silk 4ply (for now) and appropriately, with only 2 days to go before Unwind kicks off, it’s called Brighton.

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 This design is worked in single coloured rows on a circular needle which creates an interesting two tone lace effect which has a wonderfully springy texture. If you’re dreading the thought of having to use a circular needle, fear not. This technique is simple to work once you get the hang of it and is perfect for a scarf because it’s reversible so there’s no  ‘wrong’ side to worry about.

The scarf is not only named in honour of my hometown here in the UK but like many of my designs it celebrates my West Indian heritage as there’s also a Brighton in Barbados where my parents were born. I chose the combination of Calypso with Caramel because they bring together the warm brown tones of the shingle beach with the bright clear blue of the sea and to add a hint of peril the scarf is finished at each end with a Shark’s Tooth lace edge.

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Brighton (the scarf, not the city) only takes 2 balls of Baby Alpaca/ Silk 4ply and the like the Skinny Winnie the pattern is available from the website on the FREE PATTERNS  page and you’ll also find the kit for sale in the Online Shop. So, if the combination of Calypso & Caramel doesn’t work for you, there’s the option to put your own colourway together.

I’m off to make up kits for the weekend

J x