We all have a favourite yarn, season, stitch, technique or colour don’t we? For me the yarn would be anything deliciously soft and expensive, the season would be winter, the stitch would be mmm…you know I’m not so sure, I guess it depends on my mood. As for colour it would have to be orange…..or pink…..or better yet a combination of both. So it’s a little strange to have so much blue yarn sitting on my desk this week.
I like blue but I don’t LOVE it…. unless it’s a really vibrant turquoise bringing to mind warm tropical breezes, cool rum cocktails and soft white sandy beaches. In general blue tends to leave me a little cold and it although it doesn’t feature largely in my wardrobe there are some notable denimy exceptions. I mean who doesn’t wear denim in one form or another?
As for the fate of all this blue yarn, the chunky baby alpaca is for a friend’s surprise birthday gift that I’ll be hand knitting tomorrow. The variegated sock yarn is for Sam’s ribbed scarf that will be machine knitted later today and the denim yarn is for a magazine commission that’s been lingering around for a while. (I was due to submit it last year but got waylaid by the brain squatters). I’ve loved working with Rowan’s Denim since I was a student and am definitely looking forward to knitting with it again. Not only can you machine wash it at 60ºc but it can also be tumble dried so it’s pretty indestructible plus it ages beautifully with every subsequent wash which adds wonderful character to the garment. This for me makes it a classic and a winner.
The week started off a little wobbly yesterday but I’m hoping I’ll catch up as my diary is pretty full.Thankfully though it’s a good mix of work and play and to get me in the mood I’m going to start by listening to The Mighty Wah! whilst I work
What story will be told by the yarn you’re using this week?
I don’t really like to going to networking events. People who don’t know me will laugh when I describe myself as shy but I am in situations such as these. I just can’t help feeling awkward. Anyway on Friday night Sam and I went along to a Glug meetup that was held at Patterns in Kemp Town. Organised by Crush Creative and Agency Rush the meetups are designed for young and funky creatives to get together, drink, chat and collaborate. Yes I’m well aware that I’m neither young nor funky but our friends Ben and Ceri are and Sam worked in the creative /advertising industry for over 20 years.
So in order to inspire us guest speakers are invited down to give short presentations (actually more like chats) about their work and on Friday night the first speaker was a London based artist called Kyle Bean. Now normally I’m more than a little cynical about the advertising industry having been around it in Edinburgh and seeing a little of how it works. The Glug blurb described Kyle as having “a passion for handcrafted design and tactile illustration” and to be honest I had no idea what to expect from his talk. Well I’m so happy that I dragged myself out of the house because I loved his work and his attitude to it. He’s a true craftsman in every sense of the word and his work is often playful and witty. In a world where lots of the advertising images thrown at us are comped together in Photoshop or created using CGI his ‘illustrations’ often use simple coloured paper (in varying grades) but could also include other random media such as toothpaste, plastic piping, vegetables or egg shells. I absolutely love the hours of work and the level of detail that each hand made piece demands. He’s worked on campaigns for Moo, Emirates, Google and Wallpaper Magazine as well as creating installations for fashion brands like Matthew Williamson and Hermes at Liberty, London. In particular you should watch the Honda ad which was filmed using the same stop frame photography method used for ‘My First Tv Ad‘. You can see more of his work on his website here
Enjoy his work and all going well there’ll be an extra post today to catch up. Then there’s only one more day to go!
I’m really enjoying this blog challenge but have to admit that some days are a more of a challenge than others when it comes to writing a post. It’s been a bit of a strange week for me, one moment I’m mentally focussed and the next my brain ‘flatlines’ when it feels overloaded (I’ve been working with a tech editor on some designs completed before my operation – now there’s a strange headspace to try and get back to). The one thing that is giving me more enjoyment than ever is the actual process of knitting. The click of the needles, the snaking of the yarn through my fingers and the wonderfully repetitive process of in, over, round and out as stitch after stitch is created. There have been a few periods over the last couple of years when I really thought I’d lost my passion for a craft I’ve loved for so many years and as a designer I felt unfulfilled, unsuccessful and uninspired. It’s probably quite common for people whose living depends on their creativity but it’s also very unsettling not knowing when (and if) your mojo will make it’s return.
Well in my new mindful habit of living in the moment I am embracing my newly returned mojo and following wherever it leads me. Let’s hope it sticks around for a while
Every month a package of yarn is delivered to my door. Now that’s not unusual, I’m very lucky to have been Knitting’s resident yarn reviewer for some years now and surely, it’s every knitter’s dream job isn’t it? Playing with yarn and then getting to write about it? For each issue the yarns are selected and ‘themed’ by my editor Christine so I’m never quite sure what to expect from the mysterious package until it actually arrives. And you know what, I love that element of surprise.
Because we work a few months in advance the yarns don’t always chime in with the weather at the actual time of writing. I could be knitting with chunky wintry wools in the middle of August or slinky summery cottons in December. (Today it’s a cold, foggy day and there’s a mix of cottons and wool with a touch of mohair thrown in). It’s also really interesting that the yarns reflect just some of what’s available on the market and the thing that really challenges me is that they’re not always yarns I’d choose to knit with were I knitting for myself. Ok I’ll admit it, I’m a bit of a yarn snob. On a personal level I prefer natural fibres such as wool, cotton, viscose and bamboo and as for the luxury of fibres like alpaca, silk and cashmere well, that for me is fibre heaven. I’m drawn to strong colours because they literally make my heart sing with pink, orange, red, lime and turquoise among my favourites whilst washed out, pale shades..well, they just make me feel a little sad. I don’t mind if a yarn is roving, plied, twisted, chainette or eyelash in it’s construction or commercially versus hand dyed in it’s colouring but I’m not a huge fan of 100% synthetic fibres. I think it was learning to knit with nylon as a child (it literally set my teeth on edge) but I understand that they’re durable, can add strength to other fibres and are easy to care for so they have their place allowing lots of people with tighter budgets to knit away to their heart’s content.
The monthly knock of the postman followed by the cry of ‘MORE yarn for you’ marks the arrival of the next 8 yarns that may just shake up my yarny status quo. And rightly so, it’s too easy to get stuck in a rut. I don’t get to choose so they could include all, or more interestingly, none of my ‘got to’ favourites but it really doesn’t matter. My job is to explore them all and tell you what I make of them.
So would you admit that there’s a yarn snob in you? And what, if anything, will you do you do to challenge it?
I first came across John Arbon’s Alpaca Delight way back in 2015 when reviewing it for Knitting Magazine (issue 154). Writing yarns reviews is a job I really enjoy as I get to ‘play’ with a wide range of yarns from a variety of spinners and dyers, some big and some not so big. I can’t begin to think how many I’ve swatched over the years but I fell in love with this yarn at first sight, well actually it was first touch. It’s a 4ply blend of 70% alpaca 30% Falklands merino with an incredibly soft feel and just the right amount of blur.
Now you may imagine that I’ve got the world’s most mountainous stash (Sam already thinks I have) but no, thankfully I return the yarns to my editor Christine once the job is done and it’s just as well otherwise I’d be the mad, bald, wool-stashing woman of Hove. Somehow though this yarn never quite made it out of the house (coughs) and it’s destined for a one hank design that I’ll be working on today. Not quite sure how that happened (coughs again) but I do love my job….
Having surgery to most parts of your body means you’ll experience varying degrees of pain and/or stiffness for an expected period of time. It hurt when I broke my left (I was giving a male friend a piggyback, not a good move) but not as much as you’d expect. It was a bad break which required surgery but I knew my leg would be in plaster for 6 weeks and with the help of physio and gentle exercise it’s been pretty trouble free ever since. I’ve had other procedures including two mastectomies and two breast reconstructions but again, the pain wasn’t unbearable and, having been through it once, I knew what to expect from my recovery the second time around. Having brain surgery however has been an entirely different experience and the recovery is like an uncharted path that I’m still feeling my way through.
For a start it really doesn’t hurt as much as you’d imagine. Until my neurosurgeon told me, I had no idea that there are no pain receptors in the actual brain, it’s the bits around it (scalp, skull, meninges?) that feel pain and thankfully paracetamol can deal with that. Unlike a broken leg however, no one will tell you exactly how long the recovery from brain surgery will be. ‘Up to a year’ I was told but that gives no indication of how it will progress, the what to expect, how bad or good and when. Just as everyone’s tumour size, location and symptoms differ so does the recovery so I’m having to learn to just go along with the flow – not something I’d previously been used to as my husband Sam will agree.
Everyday chores like housework seem to be no problem although I do occasionally still find myself spinning around dervish-style in the kitchen trying to find the teaspoons when I’m making a cup of tea. You’ll also know, if you follow me on Instagram that I have no problem eating or cooking. Yes I’ve posted lots more pictures of food than knitting but I’ve found the process of cooking really therapeutic whilst knitting, although there was some, still had connotations of work and that meant pressure, deadlines and stress.
Yesterday saw me back at my desk writing a yarn review for Knitting Magazine and although it’s pretty much ready to send it’s taken much longer than it used to. Aside from having problems focusing on anything I’m reading and maintaining concentration the message being sent from my brain to my fingers often gets corrupted and can often read like gibberish. Want an exapmple? See if you can read this…
so when I mean to typr one thins I actually end up wrtigin words that abslutly make no sense that the autocorrect in Word won’t pick up.
It can be frustrating aat times (sometimes when I re-read things not even I know hat I was taking about) and it may not b recovery just part of my ‘new normal’ but I’m learning to accept it. After all, my job involves knitting some of the most gorgeous yarns a knitter could wish to drool over, then I get to write about them. April’s yarn review is indeed finished. Just excuse any gibberish that may have slipped through the net…