A very short blog post you’ll be grateful to hear. Sue Bourne (who also made the brilliant documentary Fabulous Fashioistas) has made a film about 12 people who were each given a terminal medical diagnosis. Now whilst it may seem like a ghoulish or depressing subject this film is anything but. I missed it when it was first broadcast but have just watched it on the BBC iplayer and I’m truly glad I did. I found it uplifting that each of them is facing their mortality on their own terms and with such dignity.
Please watch if you can it’s available for another 16 days A Time To Live
Despite it officially being Spring the weather is filthy down here today. It’s grey, windy and wet and all I want to do is snuggle up under a blankie in front of the fire and knit.
I try not to let this foul weather get me down but the endless lack of blue sky is really beginning to get to me. The builders start work on the house tomorrow (that means the kitchen from hell will soon be a thing of the past) but even shopping for a new kitchen can only lift my mood for a little while. Thankfully though there was a little ray of sunshine. A beautiful bunch of flowers that I received from my lovely friend, textile artist Ealish Wilson. Originally from the Isle of Man but now based in San Francisco we met when studying at Heriot Watt Uni for our Mdes in Textile Design and in fact if it wasn’t for her I wouldn’t have met the entertaining Mr Sloan. So whilst I’m enjoying my flowers, the fire and swatch knitting for a new design pop over and have a look at her website. Her work explores a number of techniques including printing, pleating, smocking, photography and digital manipulation with final applications ranging from cushions and scarves to bags and large scale art pieces.
When I completed last month’s #31daychallenge to blog everyday I had such high hopes and plans to blog twice a week and less than a month later I’m failing….. miserably. I do have quite a bit of work on at the moment and this seems to be turning my brain into mince so almost every word I type first appears like the 7 letter selection you get in Scrabble. Absolutely nothing makes sense until you take time to untangle the letters. Anyway, I’m not posting on a grey Monday morning to dribble on about any head yet again but rather to say what a fantastic time I had on Saturday at the Unravel festival.
I was really looking forward to going having had so much time out from yarnie gatherings so after being picked up early by Christine, my lovely editor from Knitting, we toddled off to Farnham Maltings for the show. When I say ‘toddled’ I actually meant that Christine drove while I sat, knitted and double checked the sat nav wasn’t going to lead us up a narrow one way street with a deep muddy puddle at the end of it.
I’ve had a stall at Unravel in the past and although you always plan to have a good look around there’s never quite enough time and before you know it the show is over. This year it was lovely to have a leisurely mooch around with a friend who drools over yarn as much as you do and will step in when needed should you look like you’re about to make an impulse purchase of an expensive yarn in an unflattering colour that won’t even knit a pot holder. No danger with Christine and I though. We were really very restrained. When we first arrived Christine had to pop over to interview Louisa Harding about her recently launched Yarntelier range of luxury yarns and while she was gone I seized the opportunity to have a coffee, look through the catalogue and make a plan of action based on who was showing where.
The internet is a very strange entity as it can make you feel that you already personally know people whose social media account you follow when in fact you only ever see tiny, daily snatches of their life. Well once I met back up with Christine we started off in the Great Hall and after saying a quick hello to Maggie and Colin at Textile Garden we wandered up to the stage and found JulietTillyFlop. (I know that’s not her actual name but that’s how I know her on Instagram ). Now I’ve never met Julie in person before but we gave each other that ‘we’ve never met but I know who you are’ look before actually introducing ourselves. Oh yes and she’s also got one of those wonderful, broad smiles that makes you feel you think ‘I do know you…don’t I? Like the lady herself there is a genuine warmth and wit to Julie’s work and despite swearing to myself that I wasn’t going to buy anything my first purchase was a handful of her beautiful cards one of which will be winging it’s way to it’s recipient in London later today. You can shop online through here Etsy shop Tilly Flop Designs.
Stunning crochet by Jane Crowfoot
Rich tones at Triskelion Yarns
I spent the rest of the day chatting to, being inspired by or flashing a quick hello to the likes of (deep breath) …. Triskelian Yarns, Easyknits, Fine Fish Yarns from Belfast (who I hadn’t known before so thanks to Bronagh Miskelly who I also saw for flagging them up) Louise from Sincerely Louise (who from this week will be working full time with Iesha previously one of my Kingston Uni students), Lyn Roberts whose solid silver crochet hooks, dpns and cables needs are just exquisite, Mariusz and Vida from Namolio, Nicola & Louise from The Knitting Shed, my lovely friend Jane Crowfoot, Sarah from Bigwigs Angora who chatted so affectionately about her 100 rabbits from which she ethically sources her British angora fibre, Heather from Sparkleduck, plus Rachel Coopey, Joanne Scrace (notsogranny), the ladies from Waltham Abbey Wool Show (who recognised me whilst I looked at them blankly, I’m so sorry my memory for faces is even more crap than it used to be), Francesca Hughes & Juliet from John Arbon, Belinda Harris Reid, Sue Blacker and Woolly Wormhead. Phew! Oh yes Christine and I also had a lovely long chat with Susie and Emma from The Little Grey Sheep whose display of soft, juicy coloured, hand dyed yarns smacked you in the face as soon as you entered the hall and whose Hampshire Chunky yarn I’m looking forward to using for a design to be published in an upcoming issue of Knitting. Of course I’ll post more details nearer the time. Now whilst this may sound like a hideous round of name dropping it’s really just to give you an idea of the great selection of makers, spinners and designers that the Maltings brings together so if you weren’t fortunate enough to have visited at the weekend, get it in your the diary for next year.
There was lots of chat at the weekend about the Edinburgh Yarn Festival which is the next stop for a lot of those showing at the weekend and whilst I’m hugely jealous that I won’t be there I hope they have a great time. I’ll content myself with the good vibes I got from meeting so many lovely people on Saturday and look forward to Unravel 2018.
I don’t really like to going to networking events. People who don’t know me will laugh when I describe myself as shy but I am in situations such as these. I just can’t help feeling awkward. Anyway on Friday night Sam and I went along to a Glug meetup that was held at Patterns in Kemp Town. Organised by Crush Creative and Agency Rush the meetups are designed for young and funky creatives to get together, drink, chat and collaborate. Yes I’m well aware that I’m neither young nor funky but our friends Ben and Ceri are and Sam worked in the creative /advertising industry for over 20 years.
So in order to inspire us guest speakers are invited down to give short presentations (actually more like chats) about their work and on Friday night the first speaker was a London based artist called Kyle Bean. Now normally I’m more than a little cynical about the advertising industry having been around it in Edinburgh and seeing a little of how it works. The Glug blurb described Kyle as having “a passion for handcrafted design and tactile illustration” and to be honest I had no idea what to expect from his talk. Well I’m so happy that I dragged myself out of the house because I loved his work and his attitude to it. He’s a true craftsman in every sense of the word and his work is often playful and witty. In a world where lots of the advertising images thrown at us are comped together in Photoshop or created using CGI his ‘illustrations’ often use simple coloured paper (in varying grades) but could also include other random media such as toothpaste, plastic piping, vegetables or egg shells. I absolutely love the hours of work and the level of detail that each hand made piece demands. He’s worked on campaigns for Moo, Emirates, Google and Wallpaper Magazine as well as creating installations for fashion brands like Matthew Williamson and Hermes at Liberty, London. In particular you should watch the Honda ad which was filmed using the same stop frame photography method used for ‘My First Tv Ad‘. You can see more of his work on his website here
Enjoy his work and all going well there’ll be an extra post today to catch up. Then there’s only one more day to go!